The New Jewish School in music
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Preface Chapter I: Historic and ideological premises: from the Haskala to "Auto-Emancipation“ I.1. The beginning of the Haskala (Jewish Enlightenment) in Russia (1800-1855) I.2. The Haskala at the time of the Great Reforms (1855-1881) I.3. The end of the Haskala and Auto-Emancipation (1881-1900) I.4. Spiritual Zionism (Achad Haam) I.5. “Autonomism” (Simon Dubnow) I.6. About the term “Jewish nation” Chapter II: The Jewish cultural Renaissance in Russia II.1. The new spiritual elite II.2. Jewish cultural institutions II.3. The Jewish Historic-Ethnographical Society and The Jewish Ethnographical Expedition II.4. Ethic aspects of the ethnographical research II.5. The national Renaissance in the visual arts Chapter III: The Society for Jewish Folk Music in St. Petersburg (1908-1919) III.1. The founding III.2. Legends and reality III.3. The activities of the Society until 1913 III.4. Who was the father of modern Jewish music? III.5. Music of the ghetto – music of the Bible III.6. The activities of the Society until 1919 Chapter IV: The Moscow division of the Society for Jewish Folk Music (1913-1919) Chapter V: The musical publishing houses Jibneh (1922-1943) and Juwal (1923-1927) V.1. Beginnings of the Hebrew music research V.2. Faivel Shapiro, an idealist of Jewish modern music V.3. Ham’nagen and Jibneh: the underground Jewish musical activities in the Soviet Russia V.4. Joseph Achron and Jibneh V.5. Michail Gnesin and Jibneh V.6. The founding of Juwal in Berlin V.7. The activities of Juwal V.8. Jibneh and Juwal: two Jewish music publishing houses in the same city V.9. Jibneh in Vienna V.10. Yibneh in New York Chapter VI: The New Jewish School in Petrograd / Leningrad in the 1920s VI.1. The decay of the Society for Jewish Folk Music VI.2. Jewish music in the time of the „new economic policy“ (NEP) VI.3. Jewish musical folklore in Leningrad in the 1920s and the founding of the Music Section VI.4. „The revision of these materials is very problematic“ VI.5. Expeditions VI.6. The publications of the Music Section VI.7. The dissolution of the Jewish Historic-Ethnographical Society Chapter VII: The Society for Jewish Music in Moscow (1923-1931) VII.1. From Ham’nagen to the Society for Jewish Music VII.1. The time of foundation VII.1. The concerts of the Society VII.1. The „Bolshevisation“ Chapter VIII: The New Jewish School in Vienna (1919-1938) VIII.1. Vienna as a new center of Jewish music VIII.2. The foundation of the Society for the Promotion of Jewish Music VIII.3. Concerts with new Jewish music VIII.4. Israel Brandmann, a forgotten genius VIII.5. Joachim Stutschewsky on new Jewish music VIII.6. Vienna as an international center of Jewish music VIII.7. Postlude Epilogue: “I hope we will be able to break out of our musical ghetto soon” Supplement I: Biographies of composers of the New Jewish School Supplement II: List of publications of the music publishing house "Jibneh" Supplement III: List of archives and explanations of document codes Bibliography |
Jewish Art Music in the 20th Century:
the History of Its Development, Sources, Analyses
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Svetlana Martynova: The archive of Grigory and Yulian Krejn at the Glinka State Central Museum of Musical Culture Olga Brainin: Das umfangreiche Archiv von Joachim Stutschewsky in Tel Aviv Eliott Kahn: The Solomon Rosowsky Collection and the Solomon Rosowsky Addendum at the Library of the Jewish Theological Seminary Gina Genova: The estate of Lazare Saminsky at the Milken Archive of American Jewish Music Neil W. Levin: The Russians are coming! – The Russians have stayed! A little known episode in the history of the New Jewish National Music School: the tour of the Palestine Chamber Music Ensemble “Zimro” Jascha Nemtsov: Neue jüdische Musik in Polen in den 1920er–30er Jahren Per Skans: Ein Anfang nach dem Ende. Jüdische Kompositionen von Mieczyslaw Weinberg und Dmitrij Schostakowitsch Jascha Nemtsov: Eine Berliner Vorreiterin der Neuen Jüdischen Schule: Alice Jacob-Loewenson Andreas Sperlich: „S’ is nito kein Nechten“: Notizen zu Juliusz Wolfsohn Rita Flomenboim: The work of Michail Gnesin during the 1920s: an opera – a play score – a vocal song cycle Elvira Grözinger: Jiddische Volkslieder in Werken der Neuen Jüdischen Schule: der kulturhistorische Hintergrund Beate Schröder-Nauenburg: Die osteuropäische jüdische Musik im Schaffen von Lazare Saminsky Beate Schröder-Nauenburg: Zur Definition jüdischer Kunstmusik Lyudmila Sholokhova: Jewish Musical Ethnography in Russian Empire: Ideology and Chronology Geraldine Auerbach: The Jewish Music Institute, London comes of age: twenty one years of work in Jewish music Evgeni Khazdan: The first national Jewish school in music und the contemporary Jewish music in St. Petersburg: historical und musical parallels |
Jewish Music in the Soviet Russia. The "Jewish National School" in the 1920s
Ernst Kuhn Verlag, Berlin 2002
Composers under Stalin. Alexandr Veprik (1899-1958) and the New Jewish School
Hannah-Arendt-Institut, Dresden 2000